When he passed away last week at the age of 83, Leonard Nimoy was mourned by actors, artists, politicians, scientists, engineers, astronauts and even the President of the United States. That should tell you something. Few characters have had such a seismic impact on popular culture as Star Trek’s Spock and countless people all over the world felt like they had lost a friend. Amidst the countless tributes, there is now one that stands out: a brief but powerful remembrance from Zachary Quinto, who picked up the Spock mantle in 2009’s Star Trek and its sequel, Star Trek Into Darkness.
We have very sad news to report from The New York Times: Leonard Nimoy, Star Trek’s Mr. Spock for almost 50 years, has died. Nimoy’s wife, Susan Bay Nimoy, told the Times the cause of death was “end-stage chronic obstructive pulmonary disease.” The beloved actor and director was 83 years old.
2016 marks the 50th anniversary of ‘Star Trek,’ which debuted on CBS in 1966, and Paramount has been adamant about getting the next film into theaters in time to mark the occasion. Today, they officially set the date. If all goes according to plan, ‘Star Trek 3’ will warp into theaters on July 8, 2016.
Given the increasingly negative press trail that follows 'Star Trek Into Darkness' the farther along we go, and franchise director J.J. Abrams' eventual ship-jump to 'Star Wars,' countless fans have wondered if 'Star Trek' might end up back on the small screen before long. Abrams himself recently refuted the idea, but have franchise writers writers Roberto Orci and Alex Kurtzman gotten the idea ba
When is a $70 million opening not a success? When its predecessor opened to $75 million four years ago. This is the predicament facing 'Star Trek Into Darkness,' which opened at number one at box office while being something of a disappointment.
J.J. Abrams is going to make the greatest 'Star Wars' movie in history.
With 'Star Trek Into Darkness,' Abrams' follow up to the 2009 'Star Trek' reboot (or continuation of the series, if you are Spock Prime) he has solidified his position as a master of propulsive, visceral filmmaking. Dude knows where to put the camera, when the music should swell, when the characters should zing each another or